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by Vandana Shiva


Terrorism is the reaction of those who have been deprived of voice.
Terrorism is the cry of the voiceless.
Terrorism does not develop if democracy thrives
because it ensures that your voice is heard and dissent is taken into account.
Although it is clear worldwide that the issue of terrorism
is the problem of lack of opportunity to influence our own destiny,
terrorism was not perceived in the mainstream media as
the anger of the dispossessed but as the people who have a genetic flaw.

Nobody is born a terrorist, but becomes a terrorist.
The fact that terrorism is growing
should compel us to analyze what creates the conditions for growth.
The breeding ground is the corporate greed
who want to control every drop of water, every drop of oil, every inch of land,
every germ on the planet.
Such exclusions produces enormous greed.
These exclusions will generate violent responses
if not restored quickly peaceful democracy.
Most people are not aware that India
already controlled large parts
by those who adhere to ideologies based on exclusion
and they resort to violent methods.
is an inevitable phenomenon in the dispossession and excludes millions of people
its authentic livelihood and freedom.

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LEONORA CARRINGTON


Leonora Carrington's roots are in northern England. Born in Lancashire in 1917 and was the only daughter of a wealthy textile industry and an Irish mother. Fundamental
proved to their personal search some books on alchemy and the esoteric, as well as the works of Alexandra David-Neel and Sir James Frazer. With Mystics and Magicians in Tibet and Initiations in Tibet of the office (both 1931), describing in detail the travels of an independent woman during a trip of enlightenment in the Himalayas, were a source of inspiration for the study that Carrington has made over of his life on spiritual practices budistas.El book The Golden Bough (1890) Frazer, which explores the pagan origins of Christian dogma and shows the influence of agriculture on religion, reinforced his growing skepticism about the veracity of the official versions of history. WORK

Leonora Carrington's paintings were often motivated by personal, subjective and imaginado.Es a world of changing landscapes where time and space merge. The consciousness stops at the exact point where it crosses the material with the immaterial. "Everything is connected to something else," said Leonora, "And what interests me is what produces the connection."
The literary and pictorial Carrington is a world of limits indefinidos.Y where the elements that shape relationships apparently "opposite", ie high and low, the communicable and the incommunicable, night and day, no longer seen as contradicciones.Carrington always been aware of the power of space between things and the spirits that live there: between here and there, waking and dream, the ordinary and extraordinary. His images are often a lucid dream states, and capture those who show signs of exceptional power. "We all need to recognize and powers such as anger, love and hatred," he says. "But we do not know what they are, and we have great difficulty in naming them. The ancient Greeks called gods and goddesses, but they were only names convenient. After all, you can not invent a goddess." However, for forty years has been of paramount importance for his work to recognize that the patriarchal culture has repressed women, humans have lost their sensitivity and respect for nature, necessary to sustain life, and that the relationship between the human and animal are crucial for the continue life on this planet as we know. His quest for knowledge and understanding has never ceased and is convinced that new forms of knowledge
- of fractile geometry to the theory of chaos promise to open new doors to the awareness and understanding.